By Phyllis R. Brown
Hrotsvit wrote tales, performs, and histories throughout the reign of Emperor Otto the nice (962-973). Twelve unique essays survey her paintings, exhibiting ancient roots and contexts, Christian values, and an incredibly sleek grappling with questions of identification and feminine self-realization.
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Extra resources for A Companion to Hrotsvit of Gandersheim (fl. 960): Contextual and Interpretive Approaches
The “strata” of these corrections are not easy to discern. Here 10 Walter Berschin in correspondence with Stephen Wailes, 2 July 2009: “Ich schreibe ‘Scriptorium,’ weil es sich von einer Gruppe von 4 oder 5 Schreiber[innen] handelt, und wir nicht wissen können, wer die Entscheidung getroffen hat, dass am Ende der Niederschrift der Legenden kein üblicher Quaternio, sondern ein Binio beschrieben werden sollte—ganz so, als wäre damit der Abschluss des Buches erzielt. Das ist wichtig; denn es zeigt, dass die Schreiber[innen] die Werke der Hrotsvit Partie für Partie erhielten, und dass zeigt wieder, dass sie in grosser Nähe zur Dichterin arbeiteten, wenn nicht Hr.
Recension of Manuscripts Manuscript M is closest to the archetype in terms of arrangement, orthography, and text. 16 In this codex Hrotsvit’s works are ordered chronologically—Book I has her first works, Book II the later, and Book III the final ones. Celtis rightly considered M of greatest authority. , before the middle of the 11th century. Accordingly these corrections ought not to be disregarded. The text of M was changed even after k was written, and although by strict application of text-critical principle the readings of k should be disregarded, some of the changes made in M must be evaluated with their help.
158, line 230). 28 walter berschin studies, Celtis arranged for the codex to be entrusted to him in 1494. He immediately gave it to Sixtus Tucher of Ingolstadt, and subsequently to Johannes Trithemius of Sponheim, who arranged for a copy to be made by Theodericus Gresemund, Jr. Celtis then made the text of the codex public by a method which though deplorable today was not unusual among men of the Humanist age: he entered the emendations and conjectures that he deemed necessary on the codex itself, and gave it thus “prepared” to the typesetters.