By M. A. R. Habib
This accomplished consultant to the background of literary feedback from antiquity to the current day presents an authoritative assessment of the main routine, figures, and texts of literary feedback, in addition to surveying their cultural, ancient, and philosophical contexts.
- Supplies the cultural, ancient and philosophical historical past to the literary feedback of every era
- Enables scholars to determine the improvement of literary feedback in context
- Organised chronologically, from classical literary feedback via to deconstruction
- Considers quite a lot of thinkers and occasions from the French Revolution to Freud’s perspectives on civilization
- Can be used along any anthology of literary feedback or as a coherent stand-alone introduction
Read Online or Download A history of literary criticism and theory : from Plato to the present PDF
Similar criticism & theory books
The influence of any reward is heightened whilst apparently to not count on a counter-gift or a present. in the patronage structures of early glossy England, the language of altruism, drawing upon Seneca's version of advantages, was once a paradoxical yet pivotal technique of persuasion utilized by literary consumers looking recompense for his or her labors and by way of buyers looking to current themselves as noble givers.
This research has a double concentration: within the first position, it seeks to chart the parallel second look of either formalism and psychology in twentieth-century literary concept through the use of the paintings and occupation of the French literary critic, Charles Mauron (1899-1966) as a scaffolding. utilizing a constitution of biography and literary historical past, it investigates Mauron's fairly abnormal place, either in and out varied severe contexts, the French and the English, a place that makes his paintings a very revealing mirrored image of the varied severe traits and tensions of our age.
"A buddy in history," Henry David Thoreau as soon as wrote, "looks like a few untimely soul". And within the background of friendship in early the United States, Caleb Crain sees the soul of the nation's literature. In a delicate research that weaves jointly literary feedback and historic narrative, Crain describes the powerful friendships among males that supported and encouraged a few of America's maximum writing - the Gothic novels of Charles Brockden Brown, the essays of Ralph Waldo Emerson, and the novels of Herman Melville.
- Counter-rational reason in the eighteenth century : Goya and the paradigm of unreason in Western Europe
- More Issues at Hand: Critical Studies in Contemporary Science Fiction
- A World of Words: Language and Displacement in the Fiction of Edgar Allan Poe
- Days of anger, days of hope: a memoir of the League of American writers, 1937-1942
- Regimes of historicity : presentism and experiences of time
Additional info for A history of literary criticism and theory : from Plato to the present
Containing within himself the greatest number of patterns of constitutions and qualities” (VIII, 561e). We can see here, quite apart from Plato’s explicit association of poetry and democracy, that poetry is charged with the same fundamental traits as democracy. Like democracy, poetry fosters genuine individuals, “manifold” men who are “stuffed” with differences and resist the reduction of their social function, or indeed their natural potential, into one exclusive dimension. Also, like democracy, poetry nurtures all parts of the soul, refusing obeisance to the law of reason.
Plato’s theory may sound strange to modern-day readers brought up on empiricist assumptions: we tend to value what is particular and unique; much of our modern science rests on accurate observation of physical phenomena; and we are trained to view the world immediately before us as real. Such thinking was entirely foreign to Plato, whose insistence that reality lies in the universal rather than in the particular profoundly influenced philosophy and theology until at least the eighteenth century, when Enlightenment thinkers began to see knowledge not as innately present in the mind but as deriving from the particulars of sense-experience.
We shall thus expect the individual also to have these same forms in his soul” (IV, 435b–c). And, predictably, justice in an individual is defined as a condition of the soul where “the several parts . . perform each their own task,” and where reason rules. ” Such a harmonious soul will, of course, be fostered by a correct blending of gymnastics and music (IV, 441e–442a). Injustice, then, comprises “a kind of civil war” of the three principles of the soul, upsetting the natural relation of dominance (IV, 444a–d).