An Archive of Feelings: Trauma, Sexuality, and Lesbian by Ann Cvetkovich

By Ann Cvetkovich

During this daring new paintings of cultural feedback, Ann Cvetkovich develops a queer method of trauma. She argues for the significance of spotting - and archiving - debts of trauma that belong as a lot to the normal and daily as to the area of disaster. Cvetkovich contends that the sector of trauma reports, restricted via too strict a department among the general public and the personal, has neglected the reports of girls and queers. Rejecting the pathologizing understandings of trauma that permeate scientific and scientific discourses at the topic, she develops in its place a sex-positive strategy lacking even from so much feminist paintings on trauma. "An Archive of Feelings" demanding situations the sphere to have interaction extra absolutely with sexual trauma and the wide variety of emotions in its neighborhood, together with these linked to butch-femme intercourse and aids activism and caretaking."An Archive of Feelings" brings jointly oral histories from lesbian activists all for act/up manhattan; readings of literature through Dorothy Allison, Leslie Feinberg, Cherrie Moraga, and Shani Mootoo; movies by way of Jean Carlomusto and Pratibha Parmar; and, performances through Lisa Kron, Carmelita Tropicana, and the bands Le Tigre and Tribe eight. Cvetkovich unearths how those cultural formations - activism, functionality, and literature - provide upward thrust to public cultures that either paintings via trauma and remodel the stipulations generating it. via taking a look heavily at connections among sexuality, trauma, and the production of lesbian public cultures, Cvetkovich makes these stories which have been driven to the peripheries of trauma tradition the defining ideas of a brand new development of sexual trauma - one during which trauma catalyzes the production of cultural files and political groups. additionally of curiosity girl masulinity Judith Halberstam.

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Extra resources for An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures

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16 Indeed. S. context. S. 17 The Holocaust offers validation or theory's applicability to concrete and pressing histori­ cal circumstances, and it serves as a compelling example that unrepre­ sentability and aporia can be integral to lived experience rather th:m the deconstruction of experience. Recognizing the significance of the Halo· 27 caust in this body of trauma theory is crucial to evaluating its historical specificity :and the possible limits of its applicability to other context<;, Yet even as the sites oftrauma explured here are not comp:anble to the Holocaust, they are certainly informed by Holocaust studies and mem­ ory.

Discourses of trauma serve as a vehicle for sorting through the relation between these categories rather than resolving them in a definition. When trauma becomes too exclusivelr psychologized or medicalized, its capacity to problematize conceptual schemes, the exploration of which is one of cultural theory's contribu­ tions to trauma studies, is lost. I take a certain distance from Caruth's universalizing form oftheo- 18 rizing about trauma. Her work is quite portable to a range of contexts bec:lUse of the abstractness of her formulations.

The moment offers testimony to the queer paths taken by trauma's affects. ves as a touchstone. er, Berlant, and Brown a critique of sentimental as well as trauma culture in its disdain for easy emotional experience� and its concern with the ultimately deadening cir­ culation of images of the Holocaust. 5 Minute Ride seeks to distanc<: itself from but also as a model for its aspirations to affect its audiences, and to find a way to produce feelings that are unpredktable and difficult. Moreover, in its effort to chronicle everyday emotions and the relation between a father and daughter in order to inten>ene against cliched or glib responses to the Holocaust archive, it remains committed to the possibility ofperforming trauma and emotion iJ'I the public sphere.

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