By Stina Leicht
Northern eire, 1977. Liam Kelly is many stuff: a former wheelman for the IRA, a one-time political prisoner, the half-breed son of a mystic Fey warrior and a mortal lady, and a stricken younger guy actually haunted by way of the ghosts of his previous. Liam has became his again on his land's bloody sectarian issues, however the conflict isn't performed with him but, and nor is an older, extra mythic battle-between the Church and its demonic enemies, the Fallen. After centuries of confusion and clash, the Church is at the verge of accepting that the Fey and the Fallen aren't an identical. yet to accomplish this historical truce, Liam needs to turn out to the Church's Inquisitors that he's no longer a demon, while he wrestles together with his personal guilt and confusion, whereas being hunted via enemies either earthly and unworldly. A shape-shifter via nature, Liam has a foot in worlds-and it's using him mad.
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Additional info for And Blue Skies From Pain (Book 2 of The Fey and the Fallen)
Some of them had similar types of wounds: they were hanged or strangled, their throats were cut, and they were buried or staked down in watery places. " Ward seemed troubled by this interpretation. " "I don't think it can be ruled out. When we find the same evidence on an older body, it's always one of the possibilities. Any one of those wounds was probably enough to kill him, so why the excessive violence? If he were from the Iron Age, then the injuries would be consistent with what's been found before.
A few yards beyond them, Rachel paused in her drawing and watched intently from the door of the hut, only turning her eyes back to her work when Cadogan stalked off, still rubbing his face. Maybe, Nora thought, she'd been wrong in her assumptions about Ursula and Cadogan. Maybe she'd completely misread what had happened yesterday. Cadogan obviously didn't have the upper hand today. Maybe Ursula could handle him, and she had been butting in where she wasn't wanted or needed. As Cadogan returned to his car and sped off, the shed door opened again and Charlie Brazil emerged, checking to see if anyone was watching him.
The house was still. She almost thought she had imagined it all, until she turned the corner into the kitchen and saw the word scrawled on the glass in red paint: SLAG. Ursula looked down at the small scissors in her hand and felt as though she was going to be sick. Returning to the bathroom, she saw that the nearly empty wine bottle had toppled over and was spilling onto the white tile floor. The dark pool shimmered in the electric light, its surface disturbed by drops that seemed to fall in slow motion from the bottle's open mouth.