By Bill Dobbins
Bankruptcy Contents: (Suggested listening follows every one chapter)
I. Stride Piano Styles:
• Cantankerous Chromatics
• Blues for Fats
• Basie's Beat
• Blood Brother
II. Boogie Woogie Piano Basie's Boogie
• Prickly Pete
• Wobbly Waltz
III. Gospel Piano Sanctified
• i am In His Hands
• Holy Roller
IV. Bebop Piano kinds A 624
• Red's Blues
• "T" Time
• The Thing
• Yardbird Conversation
V. Solo Ballad types For Art's Sake
• track for invoice Evans
VI. Harmonic kinds of
• 1960's and 1970's Centrifuge
• Waltz for Clare
VII. Latin and Ostinato
• varieties of the 1970's Autumn Song
• iciness Song
• Spring Song
• summer time Song
VIII. unfastened Jazz Bent
Appendix I Solo Piano Recordings of Interest
Published Solo Piano Jazz Music
Appendix II Publihsed Solo Piano Jazz track
Read Online or Download The Contemporary Jazz Pianist, Volume III (A Comprehensive Approach to Keyboard Improvisation) PDF
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Additional resources for The Contemporary Jazz Pianist, Volume III (A Comprehensive Approach to Keyboard Improvisation)
I volunteered for this sacred duty because of the vital nature of the message,’ replied Tanaka breathlessly. ’ ‘It is clear now’ The older man nodded, but as he turned and began to move back towards the dais with tantalizing slowness, the young samurai found he could not contain his impatience. ’ he burst out, remembering just in time to lower his head once more in a formal gesture of respect. ‘There is grave danger. . The vessels carry many mighty cannon and hundreds of soldiers... They are driven by great wheels which churn the water into white waves...
That must be the most beautiful mountain in the world he murmured to himself. ’ * As the steam frigate and its three sister ships drew nearer to the coast, the pyramid of light appeared to glimmer ever more intensely. Eden wondered melodramatically whether it had emerged suddenly from the darkness to act as a timely guiding beacon, to show the way to this host of strangers now approaching silently from the outside world. For more than two hundred years foreigners of every race had been resolutely barred from these mysterious islands - and it was this fact, which he had uncovered in the library of the new US Naval Academy at Annapolis during his last cadet year, which had prompted him later to volunteer for the voyage.
For more than two hundred years foreigners of every race had been resolutely barred from these mysterious islands - and it was this fact, which he had uncovered in the library of the new US Naval Academy at Annapolis during his last cadet year, which had prompted him later to volunteer for the voyage. Now, he reflected, that long period of Japan’s seclusion was about to end, and he would play a small role himself in its ending. On the silvered sea around the Susquehanna he could see the dark silhouettes of the other three slow- moving US Navy ships: two high-masted sailing vessels, the Plymouth and the Saratoga, and a second barque-rigged wooden side-wheeler, the Mississippi, were forging slowly northwards through Japan’s coastal waters, under the command of Commodore Matthew Calbraith Perry: In the grandest cabin of the Susquehanna, which he had made his flagship, the commodore was carrying strict orders from the President of the United States.